A Scarlet Renaissance
Essays in Honor of
Sarah Blake McHam

Edited by
Arnold Victor Coonin

  Illustrations
vii
Arnold Victor Coonin Preface and Acknowledgments
ix
Debra Pincus “Like a Good Shepherd”: A Tribute to Sarah Blake McHam
xiii
Amy R. Bloch Perspective and Narrative in the Jacob and Esau Panel of Lorenzo Ghiberti’s Gates of Paradise
1
David Boffa Sculptors’ Signatures and the Construction of Identity in the Italian Renaissance
35
Meghan Callahan Bronzino, Giambologna and Adriaen de Vries: Influence, Innovation and the Paragone
57
Arnold Victor Coonin The Spirit of Water: Reconsidering the Putto Mictans Sculpture in Renaissance Florence
81
Kelley Helmstutler Di Dio From Medalist to Sculptor: Leone Leoni’s Bronze Bust of Charles V
111
Phillip Earenfight “CIVITAS FLORENTI[A]E,” the New Jerusalem, and the Allegory of Divine Misericordia
131
Gabriela Jasin God’s Oddities and Man’s Marvels: Two Sculptures of Medici Dwarfs
161
Linda A. Koch Medici Continuity, Imperial Tradition, and Florentine History: Piero de’ Medici’s Tabernacle of the Crucifix at San Miniato al Monte
183
Heather Nolin A New Interpretation of Paolo Veronese’s Saint Barnabas Healing the Sick
213
Katherine Poole Medici Power and Tuscan Unity: The Iconography of the Cavalieri di Santo Stefano and Public Sculpture in Pisa and Livorno under Ferdinando I
239
Lilian H. Zirpolo Embellishing the Queen’s Residence: Queen Christina of Sweden’s Patronage of Gian Lorenzo Bernini and Members of His Circle of Sculptors
267
  Sarah Blake McHam: List of Publications
305
  Index
311
   




Copyright © 2016
ITALICA PRESS, INC.